#Lights out diana face movie#

#Lights out diana face movie#

Not since The Babadook have I seen a movie that used its monster as a metaphor for mental illness as effectively as this one does. Good: The use of the monster as a metaphor is better thought-out than in many films Becca (Teresa Palmer) has been putting up with Diana for her entire life. Named Diana, she cuts a creepy figure in silhouette, and she’s got long, long fingernails she can use to attack.

Lights Out is obviously filmed on a smaller budget - it seems to take place in about two different locations, with just five or six characters - but the fact that it can turn literally any place into a house of horrors simply by flipping a light switch gives it a great boost when it comes to staging terrifying sequences.Īnd make no mistake: This is one scary monster. In particular, the film uses everything from candles to cellphone screens to increase the tension in moments when the monster has, say, cut power to a city block and the characters need to cross vast swaths of darkness with only their wits to protect them. There have been other creatures like this in movie history (perhaps most famously in Pitch Black, the film that spawned Vin Diesel’s Riddick character), but what makes Lights Out so much fun is that it takes place in our world, where light sources can pop up just about anywhere. Considering that films themselves are just contrasts of light and darkness, the concept gives director David F. Let’s just start with the fact that a monster that can’t attack when someone is standing in a pool of light is a great idea for a movie monster. Good: The monster is terrific on a bunch of levels See if you can spot the monster in this image. I’ll warn you before I do so, however.īut before that, let’s talk about the good, the bad, and the divisive of Lights Out. So to talk about why I enjoyed Lights Out so much, I’m going to have to spoil some things. But it’s the kind of movie where I realized about 10 minutes in how wrapped up I was in the lives of the characters, and realized with about 10 minutes left that I was holding my breath that the director and screenwriter wouldn’t screw everything up.Īnd while I loved the ending, it’s proven incredibly divisive for what it might seem to say about depression. Yes, it has problems - one big one in particular. And the movie’s central metaphor - the monster is depression! - is surprisingly durable, allowing for some great character moments. Sources connected to the crown also claim that the coronation guest list is still in its “TBC” or “to be confirmed” stage - which means Harry and Meghan, formerly the Duke and Duchess of Sussex, may or may not be invited to the fete.There are sequences in this film that left the audience at my screening joyfully applauding their creativity and audacity.

“It is one thing for Harry to attack Charles, he can take it on the chin, but if Harry forces him to choose, by laying into Camilla in his book, I have no doubt he will choose Camilla,” the friend insisted. “He is incredibly protective of her and he couldn’t do it without her. “He loves her,” added the unnamed insider of the king, who is 73. “Almost everything Charles has done over the past 20 years has, in one way or another, been about getting Camilla accepted by the public,” a friend of Camilla’s told the Daily Beast. Zelensky begs UK for warplanes during surprise trip to meet with King CharlesĪll eyes will be on the royal family this spring for King Charles’ coronation on May 6.īut it seems His Majesty’s youngest son, Prince Harry, 38, and his wife Meghan Markle, 41, may be personas non grata at the regal celebration if the couple plans to attack the King’s wife, Queen Consort Camilla, 75, in Harry’s forthcoming tell-all book. King Charles becomes first monarch to be featured on stamps without a crown King Charles cancels annual ski trip for first time in 45 years ahead of coronation: report King Charles’ shocking response as fan asks: ‘Can you bring back Harry?’